I've been staring at the same walls for forty-five years. Sometimes I wonder if they've been staring back. The wallpaper in the living room, faded yellow roses climbing eternally up green trellises, has witnessed my entire existence. I was born in the back bedroom, homeschooled at the kitchen table, and have slept under this roof every night of my life except for three: a hospital stay for appendicitis when I was twelve, a failed attempt at a slumber party when I was fourteen, and one regrettable night in a motel with my high school boyfriend. The house remembers, even if the neighbors don't.
227 Mulberry Street. The address rolls off my tongue like a prayer, or perhaps a sentence. My parents left it to me when they died. First Dad with his sudden heart attack while pruning the apple tree out back, then Mom who faded quietly two years later, as if she'd been holding her breath until she couldn't anymore. They're buried in the cemetery six blocks away. I visit on birthdays and holidays, telling them about my crossword puzzles and knitting projects, because what else is there to say?
The house itself is a two-story Victorian, built in 1904 according to the brass plaque beside the front door. It has seen better days, but then, haven't we all? The porch sags slightly to the left, giving visitors the peculiar sensation they're walking uphill as they approach the door. The wooden siding, once a cheerful yellow, has weathered to the color of weak tea. Inside, hardwood floors creak in exactly the same spots they did when I was a child skipping across them. I know precisely which floorboards to avoid if I want to move silently through the house at night.
My bedroom remains largely unchanged from my adolescence. The same lavender curtains, now sun-bleached to a ghostly shade that isn't quite purple anymore. The same oak dresser with the crack across the top right corner from when I tried to move it by myself at seventeen. The same twin bed with its brass headboard, though I've replaced the mattress twice. Mom suggested once that I might want to move into the master bedroom after they were gone, but it felt wrong somehow, like wearing someone else's skin.
My days follow a pattern so predictable I could set clocks by it, if any of the clocks in this house kept proper time. I wake at 6:17 every morning, not by alarm but by habit. I shuffle to the kitchen in my slippers, brew tea in the same chipped mug (WORLD'S BEST DAUGHTER, a gift from Mom in 1992), and settle at the table with the newspaper's crossword. By 7:30, I've usually finished it, unless it's Thursday. Thursday puzzles have always been my downfall.
After breakfast, I clean. The house, despite its size, is meticulously organized. Each room has its day: Mondays for the living room, Tuesdays for the kitchen, Wednesdays for the bathrooms, and so on. I knit in Dad's old recliner, the leather cracked and worn smooth in places from years of use. It still smells faintly of his pipe tobacco, though he's been gone eight years now. The television plays in the background, usually public broadcasting or one of those channels that show old movies.
Dinner is at 5:30 precisely, usually something simple from one of the dozens of cookbooks that line the kitchen shelves. Cookbooks inherited from Mom, from both grandmothers, from Great-Aunt Mildred. Recipes for feeding families, scaled down awkwardly for one. Half a casserole, a quarter of a pie. I eat at the dining room table on Wednesdays and Sundays, using the good china. The rest of the week, it's the kitchen table with the everyday plates. These distinctions matter, though I couldn't exactly say why.
This morning, while attempting a particularly ambitious afghan pattern, I caught myself wondering when exactly I had become this person. I set my knitting down and climbed the stairs to my bedroom. The old writing desk in the corner, with its roll-top and tiny drawers, still held my high school mementos. I haven't opened the bottom right drawer in years.
The letter was there, just as I'd left it, in a manila folder marked "Future." The paper had yellowed, the creases deep from being folded and unfolded so many times that summer. I held the State University letterhead in my hands, my fingertips tracing the embossed logo.
"Dear Miss Eleanor Martin, We are pleased to inform you of your acceptance..." My eyes skimmed over words I had once memorized.
"...pleased to offer you the President's Scholarship in the amount of..."
The day the letter arrived, Dad had twirled me around the kitchen, his face split with a proud grin. "My daughter, the college girl!" Mom had made a special dinner—pot roast with those tiny potatoes I loved. She'd worn her good dress, the blue one she usually saved for church.
"To Eleanor," she had toasted, raising her water glass since she never drank wine. "The first Martin to go to college."
I was folding the letter when I heard Mom's scream from the upstairs bathroom. Not a startled yelp or a cry of surprise, but something primal that raised the hair on my arms. I remember how I knocked over my chair rushing up the stairs, how the carpet felt under my knees as I knelt beside her on the bathroom floor.
"It's nothing," she kept saying, hugging her bathrobe tight even as her hand clutched her left breast. "Probably just a cyst."
But it wasn't nothing. The doctor's office smelled of antiseptic and fear. I can still see the pamphlets in the rack beside his desk, glossy pictures of women smiling bravely, bearing titles like "Understanding Your Diagnosis" and "Treatment Options."
The memory shifts to our kitchen, three weeks later. The wall calendar hung beside the refrigerator, my university orientation date circled in red. Dad stood at the sink, washing dishes with mechanical precision.
"You're still going," he said without turning around. "We've discussed this."
I sat at the table, financial aid papers spread before me, the dorm room assignment with my new roommate's name—Stephanie from Cincinnati who'd written a perky note about coordinating bedding colors.
"How can I just leave?" My voice cracked. "Mom starts chemo next week."
"Your mother will be fine." Dad scrubbed a pot with unnecessary force. "She wants you to go."
"Dad..." I stared at his back, his shoulders rigid with false confidence.
He turned then, dish towel clutched in his hands. "Eleanor, this is your chance. You can't throw it away." But his eyes were red-rimmed, and I saw the fear there, naked and undeniable.
That night, I found Mom sitting at her vanity, slowly brushing her hair. Our eyes met in the mirror.
"I know what you're thinking," she said, setting down the brush. "But your father's right. You have to go."
"I can defer for a year," I said, the words rushed. "It's just a year. Then when you're better—"
"When I'm better." She smiled, reaching for my hand. Her fingers were cold. "That's what we all want, isn't it?"
She patted the spot beside her on the bench, and I sat down, our shoulders touching. She picked up a framed photo of herself at eighteen, standing in front of the five and dime where she'd worked after high school.
"I always regretted not taking that typing course at the community college," she said. "My mother needed help at home, and I thought there would be time later. There never was." She placed the photo face-down. "One year becomes two, becomes twenty."
"This is different," I insisted. "I'll go next fall, I promise."
But even as I said it, I felt the tether forming, invisible but unbreakable.
I called State University the next day. The deferment was simple to arrange—a form, a brief explanation. "Family medical emergency," I wrote, the words sterile and inadequate. I drove Mom to her first chemotherapy session the following week, holding a plastic basin as she vomited in the car on the way home. I made soup she couldn't eat and read aloud from mystery novels when her eyes were too tired to focus.
By the time Mom went into remission, I'd been working at the library for almost two years. I had colleagues I liked, a small apartment fund started, and a daily routine that felt like safety. The thought of dormitories and introductory classes filled me with a dread I couldn't name. My replacement acceptance letter sat in my underwear drawer. I never opened it.
Now, sitting on my childhood bed with the faded acceptance letter in my hands, I felt an ache that was both familiar and strange—grief not for my mother, but for the person I might have been.
I returned the letter to its folder and slid the drawer shut. Downstairs, the partially finished afghan waited in its basket. I'd run out of the blue-gray yarn mid-row, leaving my creation looking like it had been abruptly censored. I needed to go to Halsted's Fabric & Craft for more yarn, but first I had to deal with the car.
I made my way to the driveway where my ancient Buick, inherited from Dad along with the house, sat waiting. It's a 1988 LeSabre, enormous and boat-like, with velvet bench seats and a steering wheel the size of a dinner plate. Dad bought it new, his one extravagance. "American made," he'd say proudly, patting its hood. "This car will outlive us all."
Click-click-click. I turned the key again, hoping for a miracle. The car answered with the automotive equivalent of a yawn.
I climbed out, mentally calculating how long I could make my remaining yarn last. Not long enough. I'd have to call Pete's Auto Repair on Main Street and have the car towed in. Pete was Dad's age, with thick-knuckled hands and a tendency to speak to me like I was still the ten-year-old girl who used to tag along when Dad got the oil changed.
Dad would have known how to fix it himself. He tried to teach me basic maintenance once, opening the hood and pointing at various components that all looked identical to me. "This here's your alternator," he'd say. "And here's your carburetor." I nodded as if I understood, but the information slid off my brain like water off wax paper.
I picked up the heavy black landline phone that has hung in the kitchen since before I was born, dialed the familiar number, and waited for Pete to answer.
"Pete's Auto Repair," said a voice that definitely wasn't Pete's, younger, smoother, with a hint of something that made me straighten my posture even though no one was watching.
"My car won't start," I said, feeling suddenly self-conscious. "I need a tow."
"Address?" the voice asked, and I found myself hesitating, as if giving my address to this stranger was somehow more intimate than it should be.
"227 Mulberry Street," I finally said. "The blue Victorian with the white trim."
"Got it. I'll be there in twenty minutes."
I'll be there. Not "the tow truck will be there" or "we'll send someone." I'll be there. Personal. Direct. Immediate.
"Thank you," I said, and hung up before I could say anything stupid.
Twenty minutes. I looked down at myself. I was wearing the same cardigan I'd worn yesterday, and possibly the day before that. My hair was in its usual bun, but loose strands had escaped during my battle with the Buick. I hurried upstairs to change, then stopped halfway. This was ridiculous. I was calling a mechanic, not going on a date. The very thought made me laugh out loud, the sound strange and hollow in the empty house.
I went back downstairs and stood in the hallway, uncertain. The grandfather clock ticked loudly, counting down the minutes until a stranger would arrive at my door. A young stranger, with a voice that had made me think, just for a moment, that maybe the emptiness wasn't permanent. That maybe it could be filled.
And just like that, the first domino fell.